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Frequency range is robust and natural across the board, and low end is healthy for this type of moody genre material. Dialogue is always clear and distinct, even with Jennifer Connelly practically mumbling all of her lines. But the sound design of Dark Water is like its story a bit too subdued for its own good. Certainly, this is another very fine effort from Disney, and I continue to be thankful they are supporting uncompressed PCM 1 soundtracks on their Blu-ray releases. While I was satisfied with the video, the audio left me wanting for more atmosphere. I cant say that I really enjoyed looking at much of Dark Water, but given its intended oppressive visual style this transfer delivers the goods. I was generally able to make out fine details even in the darkest interiors. Shadow delineation is also superior for a film this dark. Detail ends up being quite good all things considered the transfer boasts a visible sense of depth throughout.
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Granted, colors are confined to various shades of bile green, vomit yellow and poopy brown, but they are free of any apparent smearing or chroma noise. The source material is in excellent shape, with perfect blacks and intentionally muted if strong contrast across the entire grayscale. Dark Water may be the most beautifully-photographed bad-looking movie ever, and I was generally impressed with the stability and consistency of this image. That said, this is a very solid 35:1 widescreen, 1080p/MPEG-2 transfer. Truth be told, the Unrated version was hardly any scarier, but still this is Blu-ray, and we should get the coolest version of the flick available. Dark Water was thumbsucker part 1 in both the theatrical PG-13 and an Unrated version on standard-def DVD, but alas we only get the 105-minute theatrical cut here. But while this stuff may have been thumbsucker part 1 once, or even twice, by the time we get to the climax of Dark Water, it is almost impossible to imagine that the filmmakers actually believed wed fall for it again. Im only inclined to give Dark Water a barely passable grade because diehard genre fans may still want to give it a rent based on pure atmosphere alone. If that plot sounds vaguely familiar, it is because it seems like The Ring and The Grudge and Dark Water all ripped it off. Scott as a widower who, after being visited by the apparition of a dead boy, must work to solve his murder and release his tortured spirit. This underrated little gem starred George C. I also hark back to a 1979 film called The Changeling.
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Once youve seen one creepy mute kid in the hallway, or an overflowing bathtub filled with ghost hair, youve seen them all.
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But my biggest gripe is the derivative iconography of all of these Japanese horror remakes. This lady is so damn depressed and we never know why I just wanted to give her a bottle of sleeping pills so the movie would end already. Connelly is also a bit too subdued here though a fine actress, she underplays Dahlias growing madness almost to the point of obfuscation. Most problematic is that Dahlias backstory is far too thinly sketched to have much impact, so it becomes almost impossible to understand her motives. Unfortunately, we dont get much in the way of a satisfying reveal in Dark Water. Im all for atmosphere thumbsucker part 1 a slow build-up, and I admire the film for taking its time to establish place and character, but after nearly 75 minutes of wound-up tension, the release had better be good or disappointment is inevitable.
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The first is that however well-acted and competently directed by Brazilian Walter Salles, making his American feature film debut the narrative is dramatically inert. But is Dahlia seeing ghosts of past residents, or is she just going crazy? I had two major problems with Dark Water.